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At last! The Cure for Love

10 Sep

At long last, Robert Donat’s beloved film, The Cure for Love has emerged from the shadows. For many years, it has not been possible to watch it, aside from a screening of a damaged nitrate print by the BFI in 2005. Happily, it has recently been shown by Talking Pictures TV (and is likely to come round again so do keep an eye on their schedule).

The Cure for Love is also available to watch via this link and if you need a physical copy, and with thanks to subscriber frontrowchris, it can be sourced from Vic’s Rare Films.

In 1945, Robert Donat appeared as Jack Hardacre in Walter Greenwood‘s play, The Cure for Love, at the Westminster Theatre. Also in the cast was Renee Asherson, who later became RD’s second wife. RD chose to take on the play as part of his tenure as actor-manager at the Westminster. A ‘northern comedy’ set in Lancashire and written by a Mancunian, it greatly appealed to RD who was himself a son of Manchester. Though the run of the play at the Westminster was not financially successful, RD began to think of it as a film venture in which he could achieve an ambition: to be director, producer, writer and star. To bring the film to fruition, RD funded it himself with his fee from The Winslow Boy, and in 1949 it was completed and screened. Though not a huge critical success, it was very popular with filmgoers, and, if comments on this website are indicative, it is very fondly remembered by those who saw it. RD revives his original Withington accent, and if you listen carefully you can hear hints of the stammer his more polished accent cured.

We would love to know what you think of the film: please do comment below.

Please visit https://waltergreenwoodnotjustloveonthedole.com/walter-greenwoods-creative-partnerships/ for more on Walter Greenwood and RD.

The Ghost Goes West goes to Lancaster!

18 Feb

I’m delighted to let you know that a free screening of Robert Donat’s 1935 film The Ghost Goes West, directed by René Clair, is taking place on 22nd February at The Dukes, Lancaster. The screening will be introduced by Professor Jeffrey Richards, author of the wonderful book, The Age of the Dream Palace.

The screening is taking place as part of a series of public events linked to a research project, Cinema Memory and the Digital Archive.

Professor Annette Kuhn, one of the project researchers, tells me:

We chose The Ghost Goes West because of Donat’s Mancunian/Lancastrian connection and the popularity of the film at the time of its release—and since. At the venue there’ll be a display of relevant items from our archive and we’ll be serving drinks afterwards.

Contact The Dukes for further information, and to book your place.

Opening up The Magic Box

27 Jul

In 1951, Robert Donat was at the head of a star-studded cast in the British film industry’s contribution to the Festival of Britain, The Magic Box, portraying cinema pioneer William Friese-Greene. Although it’s an underrated film, it has inspired film makers like Martin Scorsese (as we explored on this site previously). Not only has the film been underrated, but many believe its subject has too.

As part of #BristolFilm2021, film director and historian Peter Domankiewicz is raising the profile of William Friese-Greene in the centenary year of his death. Cinema Rediscovered has teamed up with Bristol Ideas and South West Silents to present Opening up the Magic Box, a celebration of several parts.

From the Watershed website:

“There’s an opportunity to watch the all-star 1951 biopic, The Magic Box and listen to insights from Peter Domankiewicz and arts historian Sir Christopher Frayling, who have each contributed a chapter on the rediscovery of Friese-Greene for a new Bristol Ideas book of essays published this autumn. #BristolFilm2021

Always looking to the future, Friese-Greene created some of the earliest colour film systems, leading to his son Claude capturing 1920s Britain in colour in The Open Road, which will screen with a live accompaniment from world famous composer and musician Neil Brand.”

The Magic Box screening takes place on Sunday August 1 at 11.00am. To book, here’s a link. Follow that up on the same day by attending Peter Domankiewicz and Christopher Frayling: Who was William Friese-Greene? at 14.00. Peter tells me what makes The Magic Box so significant is the way Robert captures Friese-Greene. It is indeed time to do both men justice.

William Friese-Greene photographed in c.1890

Do follow Peter Domankiewicz at Twitter for more news on the project.